‘Skin we are in’, a children’s book? A question raised at the book launch of Skin we are in, written by authors Sindiwe Magona and Nina...
The good, the bad and the expensive: Woordfees 2018 in a nutshell As the 2018 US Woordfees has drawn to a close, the time has come for MatieMedia to sit back,...
Resensie: Jong akteurs in ‘Vlerke vir almal’ skitter met eerlike spel Seer mense maak mense seer. Só meen Marion Erskine, skrywer van die jeugroman Vlerke vir almal wat vanjaar as...
Resensie: ‘Tabula Rasa’ ’n spieël teen stereotipes Geen mens word gebore as ’n rassis of homofoob nie, die samelewing maak jou só. Kondisionering maak jou só....
Gift of the Givers’ Dr Imtiaz Sooliman honours journalist Suna Venter The late journalist Suna Venter’s life and work was remembered on the evening of 6 March in a commemorative...
Review: 30 hours on call, a tale of five South African doctors Doc-u-mentally is a touching story that translates to several broader issues surrounding South African healthcare: that there are not...
Review: Fine acting in Sam Shepard’s classic, ‘The Curse of the Starving Class’ Language: English Directed by: Sylvaine Strike Script: Sam Shepard Music: The Dead South Set design: Chen Nakar, Andrea van...
Fokofpolisiekar vermaak feesgangers met eerste ‘Selfmedikasie’-vertoning op Stellenbosch Met ouer liedjies soos “Antibiotika”, “Ek Skyn (Heilig)” en “Tevrede”, het Fokofpolisiekar dit reggekry om feesgangers van die US...
Review: Groundbreaking play, ‘NewFoundLand’ (Buite Land), receives standing ovation at Woordfees Neil Coppen’s latest theatre-drama, ‘NewFoundLand’ (Buite Land), has showcased the provocative and healing power of theatre, as Stellenbosch audiences...
Televangelists exploit their congregations, discourse participants hear The way in which televangelists exploit the finances of congregation members was the focal point of a discourse discussion...