Stellenbosch Street Soirée and the highlights
This weekend saw the curtain come down on Woordfees 2019, with one of the highlights of the festival –...
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‘Intermissie vir die menslike kondisie’
Nog twee vertonings van die sketskomedie Die Intermissie is op die program van die Woordfees bygevoeg na die sukses...
On the Fringe: Woordfees Fringe stumbles in first year
Fringe, the new category at Woordfees, did not, despite its vibrant display of up-and-coming talent in the industry, attract...
Winning the fight: Dagbreek Vice-Prim opens up about his cancer
Sitting on his couch in his Dagbreek room, with very little hair on his head but a big smile...
Stellenbosch visitors don’t come for the wine, they come for the trees
A survey done by MatieMedia journalist, Jana Greyling, shows that the natural beauty and the historical buildings of Stellenbosch...
Brett Bailey Presents, Samson
Award-winning director Brett Bailey features his latest production, Samson, at the 2019 edition of the Woordfees in Stellenbosch which...
Woordfees production portrays lustful Palestinian and Israeli affair
“Is he Jewish or Arab?” is a question that echoes throughout The Reports on Sarah and Saleem. Inspired by...
Heerlike ‘20/20 – met ’n kelkie’ toe sonder ’n kelkie
20/20 – met ’n kelkie was ’n fees vir beide die oor én oog. Die betrokkenes kan hulself ’n...
Woordfees se Oopkop-kategorie: Sensuur of slim
Die woorde “Vir oopkoppe, nie vir sensitiewe siele nie,” pronk vanjaar op bladsy twee van die US Woordfees se...
“Bom-tas” al die tyd toe net verlore tas
Die tas wat Stellenbosch onlangs in rep en roer gehad het omdat dit as ’n bomdreigement gesien was, is...