REVIEW: Katvis’ deceptively stunning ode to anguish
Anton Scholtz and Micheal Minnie’s short film, Katvis, has a run time of just 24 minutes. Despite its brevity,...
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REVIEW: Babyboy Kleintjies – Stellenbosch’s sins in a “Checkers sakkie”
Athol Fugard’s latest play, Concerning the Life of Babyboy Kleintjies, spurs a conversation on homelessness and the human condition....
Gender-neutral bathrooms a ‘need’ for SU students
There is a need for more gender-neutral bathrooms on Stellenbosch University’s (SU) main campus, according to Alex Vink, the...
Unpacking Wynand Kotze’s Tollie Parton
As a love letter to himself, and as a middle finger to everyone who thinks being gay is a...
REVIEW: Ulwandle – Two coasts, one purpose
The lights turned off in the Neelsie Cinema and a small audience was transported into the sea-world of two...
Woordfees kry die horries
“Elke drinker het ’n horrie, ’n geheime agent wat die oggend na ’n groot aand verskyn om vir jou...
RESENSIE: Schalk sing toe nié so sleg nie
Schalk Bezuidenhout het sy vreeslose en vlymskerp sin vir humor na die Daisy Jones Bar in Stellenbosch gebring tydens...
REVIEW: Reflecting on the essential in ‘The Reclaimers’
The Covid-19 pandemic came with a silver lining for informal waste reclaimers, said Luyanda Hlatshwayo, a reclaimer who…
A booklover’s guide to Stellenbosch
Stellenbosch is home to multiple bookstores and libraries and has a bustling book culture, with residents that uphold local...
SU’s Equality Unit confronts barriers to inclusion for LGBTQIA+ community
Allies of the queer community have the power to speak up when injustices are prevalent. This is according to...