Woordfees: The eerie brilliance of ‘The Woman Who Fed the Dogs’
Viewers are exposed to a haunting and thought-provoking play that delves into the darkest corners of human existence, examining...
Category: Woordfees
Woordfees: Panellists speak on mental health and building better communities
The struggle against mental health issues cannot be viewed in isolation, said Quinton Adams, an educational psychologist, at a...
REVIEW: Cape Town City Ballet gives Stellenbosch a taste of familiar favourites
On pointe — this accurately describes the Cape Town City Ballet’s (CTCB) performance at the 2022 Toyota US Woordfees....
REVIEW: Zephany taken, Miché returned
The infamous kidnapping case of Zephany Nurse is explored in Girl, Taken, a 92-minute documentary which follows Zephany’s disappearance,...
REVIEW: Bongeziwe Mabandla graces Musiekfees stage
The award-winning musician, Bongeziwe Mabandla, wooed the crowd at Jan Marais Park on 14 October. The internationally acclaimed performer’s...
What comes after being a trophy wife?
In this humorous South African theatre production, a former housewife deals with loss, experiences self-growth, explores the modern dating...
RESENSIE: Alles wat rooi is in Net Ons
Die eerste oomblikke van die kortfilm Net Ons is in rooi getooi. Hoofkarakters Angel en Lorenzo ontmoet om elkeen...
Van Coke gesels oor sterflikheid en ‘Kanniedood’
Die Bellville-rockkunstenaar Francois van Coke en sy musiekgroep, Die Gevaar, het die gewoonlik rustige Jan Marais Natuurreservaat Woensdagaand, 12...
REVIEW: Katvis’ deceptively stunning ode to anguish
Anton Scholtz and Micheal Minnie’s short film, Katvis, has a run time of just 24 minutes. Despite its brevity,...
Unpacking Wynand Kotze’s Tollie Parton
As a love letter to himself, and as a middle finger to everyone who thinks being gay is a...