Woordfees: A new spin on the Stadsaal exhibition
This year’s Stadsaal exhibition shifted its focus towards including more contemporary artworks in the catalogue. In previous years, the...
Tag: Review
Woordfees: “Bul” – ’n skouspel van kantoorpolitiek en emosie
In die hart van die korporatiewe kantoor-omgewing, waar ambisie en intriges saamsmelt, ontvou Bul – ’n meesleurende blik op...
REVIEW: Prayers for Sweet Waters remain unanswered
Prayers for Sweet Waters is an emotional documentary film that portrays the lives of three transgender sex workers living...
REVIEW: Katvis’ deceptively stunning ode to anguish
Anton Scholtz and Micheal Minnie’s short film, Katvis, has a run time of just 24 minutes. Despite its brevity,...
REVIEW: Reflecting on the essential in ‘The Reclaimers’
The Covid-19 pandemic came with a silver lining for informal waste reclaimers, said Luyanda Hlatshwayo, a reclaimer who…
Moffie kom terug huis toe
Die Suid-Afrikaanse film, Moffie, het op 2 Maart 2020 in Suid-Afrika gedebuteer na talle benoemings by verskeie filmfeeste reg...
Alice Phoebe Lou’s latest album is Something Holy
Looking for a couple of new tunes to add to your road trip mix or to curl up with...
A production Woolworth seeing for the whole South African middle class
A performance that will have you constantly looking for the teleprompter at the back, at those around you, and...
Review: EMERGER takes SA alt-pop to a whole new level with debut album – Bloom
The South African alt-pop duo EMERGER, comprised of vocalist and pianist Emma de Goede and multi-instrumentalist and composer Gerrit...
REVIEW: McCartney mania as Paul reclaims the number one spot
The ex-Beatle still manages to enthrall and surprise audiences with his new album, Egypt Station, and snags the top spot...