Stellenbosch theatres lack business and funding Stellenbosch theatres are struggling to fill seats and generate revenue due to Covid-19 regulations. The Adam Small Theatre Complex,...
Ready, fire, write Siphokazi Jonas seems to have made it her life’s work to prove that labels are not binding. Having tried...
Fresh twist on classic South African production The renowned apartheid-era play The Island, which has been adapted by director Jerry Mofokeng wa Makhetha, and has won...
Woordfees play shines a light on the struggles of District Six The Woordfees play, “All Who Pass” written by Amy Jephta, which showcased at Rhenish Girls High School on 8...
‘Intermissie vir die menslike kondisie’ Nog twee vertonings van die sketskomedie Die Intermissie is op die program van die Woordfees bygevoeg na die sukses...
20 things you have to do before you graduate from Stellies No student comes to university for only a degree. In order to ensure a well-rounded university experience, below is...
REVIEW: Louis Viljoen’s new horror-comedy challenges audiences’ sensory experience Language: English Director and Screenwriter: Louis Viljoen Dates: 09 & 10 March 2018 Venue: H.B Thom Theatre Cost: R120-R140...
Review: Fine acting in Sam Shepard’s classic, ‘The Curse of the Starving Class’ Language: English Directed by: Sylvaine Strike Script: Sam Shepard Music: The Dead South Set design: Chen Nakar, Andrea van...
Review: Groundbreaking play, ‘NewFoundLand’ (Buite Land), receives standing ovation at Woordfees Neil Coppen’s latest theatre-drama, ‘NewFoundLand’ (Buite Land), has showcased the provocative and healing power of theatre, as Stellenbosch audiences...
‘Nuwe’ HB Thom oop vir US Woordfees Sowat ’n jaar en ’n half nadat bouwerk aan die HB Thom Teater afgeskop het, is dit uiteindelik gereed...