Woordfees: Die tragiese saak van Pamina Vermaak – ’n hartroerende liefdesverhaal van vergifnis en selfaanvaarding Die Afrikaanse rolprent, Die tragiese saak van Pamina Vermaak, met ’n looptyd van 110 minute, neem sy kykers op...
Woordfees: Alan Committie – Master of funny Tears of joy were shed as the audience erupted into uncontrollable laughter at Alan Committie’s performance of excerpts of...
Woordfees: A Whimsical Journey in Shakespeare’s ‘A Midsummer Night’s Dream’ Through his directorial vision, Geoffrey Hyland transports the audience into a world of enchantment and comedy in Shakespeare’s A...
Woordfees: White victim mentality posing as satire? There are undeniable issues facing South Africa. Corruption plagues state-owned entities that have been run into the ground, the...
Woordfees: How ‘The Animal – What a word!’ Gives voice to the voiceless A review of The Animal – What a word! by Wilma Cruise In her exhibition The Animal – What...
Woordfees: ‘Ver in die wêreld Kittie’ – ’n fees vir oud en jonk Ver in die wêreld Kittie is ’n musiekblyspel wat jou met ’n glimlag op jou gesig en ’n deuntjie...
Woordfees: ’n Ander dimensie aan Dean Smith se Bettie Suidooster se Dean Smit bring ’n dieper dimensie aan sy bekende internetpersona, Bettie, tydens sy eenmanvertoning Hello, is Bettie...
Woordfees: “Bul” – ’n skouspel van kantoorpolitiek en emosie In die hart van die korporatiewe kantoor-omgewing, waar ambisie en intriges saamsmelt, ontvou Bul – ’n meesleurende blik op...
Woordfees: A standing ovation for Beethoven’s Triple Concerto The audience was able to leave their reality at the auditorium doors and allow their emotions to be guided...
Woordfees: The eerie brilliance of ‘The Woman Who Fed the Dogs’ Viewers are exposed to a haunting and thought-provoking play that delves into the darkest corners of human existence, examining...